| Film/Cinema/Movie: A Theory of Experience |
Gerald Mast |
Dana B Polan |
The Journal of Aesthetics and Art Criticism |
1979-03-01 |
| The Compound Cinema: Film Writings of Harry Alan Potamkin |
Lewis Jacobs |
Dudley Andrew |
The Journal of Aesthetics and Art Criticism |
1979-03-01 |
| Abstract Film and Beyond |
Malcolm Le Grice |
Dana B Polan |
The Journal of Aesthetics and Art Criticism |
1978-12-01 |
| How to Read a Film |
James Monaco |
Allan Casebier |
The Journal of Aesthetics and Art Criticism |
1977-12-01 |
| The National Society of Film Critics on Movie Comedy |
Stuart Byron |
James Mark Purcell |
The Journal of Aesthetics and Art Criticism |
1977-12-01 |
| Major Film Theories: An Introduction |
Andrew J Dudley |
James Mark Purcell |
The Journal of Aesthetics and Art Criticism |
1977-09-01 |
| Theory of Film Practice |
Noel Burch |
Roger F Copeland |
The Journal of Aesthetics and Art Criticism |
1975-09-01 |
| Theories of Film |
Andrew Tudor |
Don Fredericksen |
The Journal of Aesthetics and Art Criticism |
1975-09-01 |
| Film Theory and Criticism |
Gerald Mast |
Timothy J Lyons |
The Journal of Aesthetics and Art Criticism |
1975-03-01 |
| The Language and Technique of the Film |
Gianfranco Bettetini |
Alexander Sesonske |
The Journal of Aesthetics and Art Criticism |
1974-12-01 |
| Film and Reality: An Historical Survey |
Roy Armes |
Donald Fredericksen |
The Journal of Aesthetics and Art Criticism |
1974-12-01 |
| Den Fortaellende Film |
Peter Schepelern |
Soren Kjorup |
The Journal of Aesthetics and Art Criticism |
1973-09-01 |
